On Friday I participated as a panelist on a panel entitled “Paths
to Publishing” at the Mendocino Coast Writers Conference. From the questions
that writers asked, and from the subsequent session I attended with Jack Shoemaker,
editor-in-chief at Counterpoint Press (which published my book), I realized
that most of the writers present knew very little about the publishing
industry. Some of them clearly imagined that they will make a lot of money from
publishing their book. I literally heard people gasp at certain points in my
presentation because they were shocked to hear the statistics I provided. So
for today’s blog, I’m going to share some of the information I offered to them,
plus some. It’s an eye-opener.
Editors, agents, and publishers are overwhelmed by manuscripts. Shoemaker receives about 1,000 manuscripts a year at Counterpoint (that's about 83 a month). Whoa! Who can
read all that? That’s a big reason why writers are so frequently rejected. I have
a rejection letter from everyone who is anyone in the publishing business. But Alex
Haley received over 200 rejection letters before his epic book Roots was
published. And there’s a famous story about Jerzy Kosinski taking one of his
bestselling novels, slapping a pseudonym and a different title on it, and
shopping it around to see what would happen. It was roundly rejected by 13
agents and 14 publishers, including Random House, which had already published
it. LOL!
My advice to the writers at the conference after I shared my brief
thoughts on rejection letters was that if they couldn’t land an agent or a publisher,
they should think about self-publishing. Depending upon choices a
self-publisher makes about how to publish, self-publishing can be an honorable
choice and a viable path to publication. It can be the mechanism through which a
writer reaches their audience, and that’s what writing is all about. Self-publishing
is an old and well-established tradition. Books that were originally
self-published include James Joyce’s Ulysses, Marcel Proust’s Remembrance
of Things Past, The Wizard of Oz, and Joy of Cooking. That
piece of junk, the 50 Shades of Grey Trilogy, erotic romance books that have monopolized
the bestseller lists for weeks, was originally a self-published e-book. I
couldn’t get past page three in it, but obviously it has something that people
like because they’re reading it like there’s no tomorrow. Jack said in his
session at the conference that the fastest growing market in books right now is
genre fiction, particularly romance (the leader).
The most challenging task in publishing is getting the word out to
people about a book. These days even authors of books produced by mainstream
publishers have to do a lot (if not all) of their own marketing and publicity. Blockbuster
authors regularly “give back” a substantial portion of their royalties to their
publishers to contribute to the marketing budget for their books. Some, like
Stephen King, return more than 50% of royalties to the publisher for marketing.
Getting the word out about a book is expensive and time-consuming, and people
will only buy a book if they know about it.
Over one million books are published in the U.S. every year. Over
two-thirds of the books published in the U.S. are self-published books, reprints of public domain works, and/or print-on-demand books. Less
than 2% of all books published sell more than 1,000 total copies in their
lifetime (astonishing but true); less than 20% sell more than 100 total
copies. (For the record, The Call to Shakabaz has sold almost 2000.) These
days almost all books that are published are sold primarily to the author’s and
the publisher’s extended communities combined. Not many books are able to break
out and sell significantly to a larger audience. There is an old saying
in the publishing biz: “If you want to
be a millionaire publisher, start out with $2 million.” It’s astonishing how
many books a publisher has to sell just to break even on production and
marketing expenses.
This was my parting advice to my fellow writers at the conference: no matter which path to publishing you take,
walk that path for love, not profit; and make it a point to enjoy the journey,
wherever it takes you.